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Artist's Statement, Rites of Asylum/Code 44 |
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Although complaints against Dammasch were numerous, and date back to the 60's, documented facts about the place are few because all public records post-1969 have been shredded. In 2002 the Governor of Oregon tendered a public apology to the survivors of Dammasch (and of similar institutions for the mentally ill) for the state's policies regarding the practice of eugenics. The images from this body of work are traces of sorts, like footprints left behind by the impact of tumultuous human interaction: a fist print in a metal door, an inverted clock dangling from its electrical cord, doors riddled with bullet holes. Each of these images tells its own story and functions in its way as symbol and metaphor. Additionally, in light of the fact that the Surgeon General's list of Major Diagnostic Classes of Mental Disorders still includes (for example) alcoholic and queer/bi/trans people, the images contained in this portfolio may also be seen as documents of the effects of the psychiatric model's attempt at cultural sculpting. |
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